Right from her evocative, sensitive and moving cinematic essay on loneliness, fleeting joys and heartbreak of an Anglo-Indian spinster (“36 Chowringhee Lane”) to her last, a dramatic, powerful, even cathartic take on the life and time of a schizophrenic (“15 Park Avenue”) which incidentally fetched her yet another prestigious National Award), film-maker Aparna Sen has consciously continued to hit the road, less travelled. More “humanist” than “feminist”, her leitmotif/themes – loneliness, primal truths, emotionally, mentally, physically challenged – resonate with a universality that engages, enriches and empower in one glorious sweep. Her latest film – “The Japanese Wife” – promises to be yet another masterpiece from this amazing story-teller. In this exclusive interview with Monojit Lahiri, Aparna Sen lays it on the line…
First things first. Contrary to a belief in some circles that “The Japanese Wife” (TJW) marks a total departure from her earlier work, the Director Sahiba is at pains to explain that this is not so. “Loneliness defines the persona of at least 3 – the man, the Japanese wife and the widow who takes shelter in his house – of the 5 main characters of the film. However, it is different in one aspect – it is not my story but somebody (Kunal Basu) else’s”. She admits to being completely blown and bowled over, (during a casual narration by the author) by this amazingly unusual love story about a cross-cultural marriage between two people who never actually meet or see each other! “It was so cinematic, held such scope for great, exciting visuals that it really got to me! The sheer improbability of it all, the magical innocence and the pristine love that colours the storyline – in a world constantly confronted with mindless violence and mockery of basic human values – really fascinated me. Right there and then I warned him that he dare not give the story to anyone because I was going to translate it to a feature film”. She laughs. “He sweetly and charmingly agreed, instantly. Fact is, he was familiar with my work and I guess, knew that I would take pains to capture the essence and spirit of the story in its entirety with the required sensitivity, truth and power without distorting it”.
First things first. Contrary to a belief in some circles that “The Japanese Wife” (TJW) marks a total departure from her earlier work, the Director Sahiba is at pains to explain that this is not so. “Loneliness defines the persona of at least 3 – the man, the Japanese wife and the widow who takes shelter in his house – of the 5 main characters of the film. However, it is different in one aspect – it is not my story but somebody (Kunal Basu) else’s”. She admits to being completely blown and bowled over, (during a casual narration by the author) by this amazingly unusual love story about a cross-cultural marriage between two people who never actually meet or see each other! “It was so cinematic, held such scope for great, exciting visuals that it really got to me! The sheer improbability of it all, the magical innocence and the pristine love that colours the storyline – in a world constantly confronted with mindless violence and mockery of basic human values – really fascinated me. Right there and then I warned him that he dare not give the story to anyone because I was going to translate it to a feature film”. She laughs. “He sweetly and charmingly agreed, instantly. Fact is, he was familiar with my work and I guess, knew that I would take pains to capture the essence and spirit of the story in its entirety with the required sensitivity, truth and power without distorting it”.
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